Medusa

Get ready to stomp your feet, laugh, cry, and hear sounds you've never heard before with this electrifying and genre-defying chamber-folk band. Wielding a sound that could turn classical music scholars to stone, these four folk innovators are reimagining the Western string quartet. Medusa Quartet cross-pollinates traditional music from around the world with original tunes, classical pieces, engaging stories, and their one-of-a-kind stringed instruments to create a "must-see live show!" (Sam Boer, Exclaim!). Medusa Quartet is truly unique in Canada, distinguished by its rare and compelling combination of instruments. Marta Sołek plays the Bilgoray Suka and the Płock Fidel from Poland, instruments that were made completely extinct and reconstructed in 1980 based on paintings from the 19th century. There are less than 50 people in the whole world that know how to play these instruments. Saskia Tomkins plays the Nyckelharpa from Sweden, a medieval-age fiddle that almost died out in the 20th century, but was resurrected by Erik Sahlström in the 1960’s. There is no other group in the country, and likely the world, that blends the sounds of these particular instruments together. By inviting back voices previously regarded as too ugly for “polite society,” Medusa tempts us to redefine what is beautiful. One of the most misunderstood figures in ancient mythology, Medusa was wrongfully punished and cast out for being the victim of a violent act, but is remembered solely for her frightful ugliness and lithifying gaze. As a band made up of female, 2SLGBTQ, BIPOC, immigrant, and neurodiverse artists, they resonate with Medusa’s story and hope to amplify the voices of these communities.

Music:

To be announced from stage